Sick Dog
Etcetera Theatre
Winnie is dying (slowly – which is the worst way to go). She is despondent, miserable and fed up. She has isolated herself from her friends and family, but she is not alone. Eliza is the new top-model robot companion-carer, who looks after Winnie. Through God, pain, and Love Island, the two attempt to understand each other. These are two (sort of) beings who are desperate to love and be loved, in whatever form that takes. ‘Sick Dog’ asks questions about what it means to be human, the acceptance of death in a world that fears it and our future as maybe not the only creatures with the capacity to love.
Retardant
The Libra Theatre Cafe
"What's your favourite TV show?" For one autistic Irish trans man, it's Skivvies, an iconic teen drama entering its fifth season. After moving to Belfast to pursue his own coming of age dreams, he gets caught up in the messy hedonism of Gen Z queers. As his gender and sexuality waver, the TV glows brighter than the city lights and the line between fiction and reality starts to blur... This is staying up all night refreshing Tumblr, that 4am deep conversation you regret the next day, a house party mirrorball fever dream about obsession, psychosis and doppelgangers, because what's scarier than a crazy trans person?
Hello/Goodbye
Etcetera Theatre
Juliet - a frantic, spicy and out-there woman - is moving into what she thinks is her new flat when she finds a random man, Alex - who is neat, collected and nerdy - already moving into it. Which one of them does the flat actually belong to, and is that even the most important question? Through their differences they fight, laugh and fall in love with each other. This story questions what happens when you meet the person you were not expecting to be ‘the one’? It’s a story about life surprising you in every way. We follow Alex and Juliet at the beginning, and at the end of their love, but will it actually be the end?
Take Care
Etcetera Theatre
Who needs therapy when you've got a best friend? Meet two best pals, Jo and Izzy, whose romantic endeavours are as disastrous as their morals are questionable. At least their hearts are in the right place, most of the time. Watch the duo of codependent flatmates as they attempt live, laugh, love their way through the confusing loneliness of being in their twenties.
THE HAUNTING
The Libra Theatre Cafe
A one-woman show about being controlled by my period: Every month, I receive vicious instructions in my knickers, sealed with a bloody kiss. Every month, I can’t refuse. One day, I am ordered to do something I can't. Oh, god, I just can't!!! I rebel... but not without consequence. A haunting (but comedic) tale of control, the body, and our deepest desires. Mwah, X! Written and performed by Mimi Thompson Directed by Nathalee Avery
in the air
Barons Court Theatre
Chloe's mom has passed & left behind a box of old pictures. As Chloe sees the younger version of her mother and wonders what she was like... she meets Violet. Violet is put together and organized and ambitious... the very opposite of Chloe. But the two of them slowly realize that they have more in common than they think. Told from their adjacent balconies, this is a story about fate, friendship, and how looking back can help with moving on. Both actors are prepared to play either role. There will be a coin toss before each performance to determine the casting of the show. Seen at Stratford East's Freelance Royalty Scratch, Sophie's Barn (Dame Judy Dench), Brighton Fringe, and Birmingham Fest. Written by: Ashley Amodeo Performed by: Ashley Amodeo & Elly Hocking Directed by: Elly Green Designer: Seah Dragomir Technician: Jack Firman Supported by Theatre Deli & New Diorama Theatre. Fundraising for The Maya Centre, a women-only charity in the heart of Islington, who believe that no one should face trauma or hardship alone. Shortlisted for Brighton Fringe's New Writing Award
this app is a haunted house
Hen & Chickens Theatre
THE FINAL GIRL! You know her, you love her, you ARE her. She’s the last one standing at the end of every horror movie. Sidney survived Ghostface. Laurie outran Michael. Nancy defeated Freddy... But this Final Girl must overcome the scariest villain of all - DATING APPS. Sharpen your weapons and join our Final Girl as she recounts how she survived every killer that's ever haunted her DMs. Will she find happily ever after? Or does the killer always come back for one more scare?! Bring your group chat, bring your Hinge date, bring your situationship... maybe bring your therapist??? And don't forget : SWIPE FOR YOUR LIFE! "this app is a haunted house" is an interactive horror-comedy for anyone who has ever gone looking for their love story ; only to end up in a scary movie. Inspired by iconic horror movies that are reimagined as nightmare dating scenarios. First performed at Etcetera Theatre - it is a terrifyingly relatable slasher with a whole lot of heart. Unpacking how we search for true connection in a frighteningly online world.
Bitches in Stitches: New Grrrl Order
Camden Comedy Club
All-femme/them. No filter. Bitches in Stitches is a global stand-up comedy collective serving razor-sharp punchlines, hot takes and sick burns — with zero cheap shots. Expect unhinged group-chat energy, a rotating lineup, and a room that feels welcoming by default: no one’s identity is the punchline. If you like comedy that’s loud, bold, and weirdly therapeutic, come sit up front and laugh like you mean it.
Who Cares!
John Lyon's Theatre, City Lit
Dennis Marshall likes things exactly how they are: his crosswords neatly stacked, his plants perfectly kept and everyone around him kept firmly at a distance. Recovering from hip surgery and residing in a retirement village , the place feels more like a prison than a paradise. As a sharp-witted older gay man, he feels little patience for outside interference. Choosing a closeted existence over standing up for his rights. That is until outspoken carer Jay J Samuels crashes into his world. What begins as a battle of wills quickly becomes an unexpected friendship. Jay J’s warmth, humour, and refusal to be intimidated slowly draws Dennis out from behind years of grief and secrecy. Meanwhile Dennis’s neighbour Terry hovers nearby—part busybody part, confidant—offering comic relief, unsolicited advice, and occasionally uncomfortable ‘truths.’ Alongside the arrival of Jay J, Dennis begins receiving anonymous hate mail, and the fragile safety of his carefully controlled existence begins to fracture. Forced to confront prejudice from those he shares a ‘home’ with, he must decide whether to stay silent or finally fight back. Funny, moving and fiercely relevant, ‘Who Cares!’ is a powerful new drama about ageing, identity, friendship, and courage it takes to remain true to oneself. Blending biting humour with emotional honesty, Keith Orton’s compelling play shines a spotlight on lives and voices too often overlooked. A story about care in every sense of the word. Directed by Richard Cavanagh
WIT-Nits
Aces and Eights
No script. No plan. And a lucky dip of unexpected, second-hand goodies. Let the silliness begin! Armed with bizarre finds from local charity shops and audience suggestions, the WIT-Nits create You Shouldn’t Have - a hilarious, anything-can-happen improvised show where every performance is unique. Woking Improv Theatre’s original house team, the WIT-Nits have been delighting audiences across London and the South East for two years, kicking things off with a burst of fast, high-energy games before diving into the unexpected. Unpredictable, unrepeatable and unapologetically silly, You Shouldn't Have!
Grave Matters
Lion & Unicorn Theatre
Get your shovels — we’re going to the cemetery. Miss Y, a Mexican Catholic schoolteacher living in Cardiff, has been detained after being caught digging up a grave at dawn. She insists she had a good reason. The police would beg to differ. What follows is less an investigation than a misalignment between belief and evidence, care and legality, the living and the dead. Unfamiliar traditions collide with procedure. The supernatural hovers — never confirmed, never dismissed. As the police attempt to make sense of Miss Y’s story, cultural traditions, religious belief and institutional logic begin to clash in increasingly strange and darkly comic ways. By turns dry, unsettling and unexpectedly tender, Grave Matters is a surreal horror-comedy about grief, belief and bureaucratic confusion — exploring what happens when systems unequipped to recognise grief attempt to measure devotion using the wrong tools.
Clara and Clemmie
The Libra Theatre Cafe
A new play by Gus Gress Directed by Camden Wilkerson Starring Ellie Freeman, Gus Gress, and Molly Wasway The Libra Theatre Café 37 Chalk Farm Rd. London, NW1 8AJ Ben moves to New York City, where he passes his early days with two sometimes friends: Clara and Clemmie. Clara is whimsical, but insufferable. Clemmie is cold, but attractive. Ben struggles to align himself with either woman as he navigates this new stage of life.
Murmurs Devoured by the Sea
Theatro Technis
Inspired by a real murder case and a childhood song, it is a haunting, movement-driven story about grief, madness, and the things we cannot release. A woman drags a dead fish from the sea and becomes cursed, speaking in gibberish and clutching the rot. The town calls her mad. Then one day, she calls a funeral, not for a person, but for the fish. As she sings in the funeral, the crowd sways, mourns together, and buries the fish by the sea. In shared delirium, they all become like her: broken, bound, and strangely free.
Mind the Güeco
Wac Arts
A bilingual performance that follows a migrant’s journey across borders and through time, navigating the landscape of memory to reclaim their sense of self. Through physical theatre, storytelling, dance, and text, the work explores how memory, identity, and belonging transform across cultures, revealing the emotional gap between who we once were and who we become in order to survive under different cultural codes. An invitation to reflect on migration, displacement, interculturality, and global citizenship.
Philosopher Clown
Museum of Comedy
Sketch comedy collides with lifestyle advice, with a twist of philosophical reflection, in this new show by writer-performer Peter Singer and his slightly insane comedy collaborators. You are forced to laugh, cry and think as the seasoned comedy collective share three decades of comedy and twisted life experience. And encourage you to share in it.
A Woman’s Truth
The SPID Theatre
"A Woman's Truth" is a play that explores four friends' colliding versions of reality. As their trust, loyalties, and true motivations unravel, we confront questions about how we shape our thoughts and opinions—how we choose what to believe and form our perspectives and prejudices. Through a "live podcast" experience, the audience witnesses four different sides of one story...Which is the Truth.
Hell Hath No Fury
The Cockpit
Three women. Two worlds. One ongoing fight for justice. Greek mythology mirrors present day courtroom drama, as this all female company reinvigorates the Furies and reveals their power within the women of today. Thebes: a landscape of chaos and destruction. Enter The Furies. Women that represent the true meaning of sisterhood and the divine feminine. But it’s not all happy families; the Furies have upset the Gods. When Zeus bites off more than he can chew he calls on the Furies to finish what he so carelessly started. Will they be able to finish it? Or will it tear them apart? London: Three lawyers. One case. Multiple victims. Can they untangle this mess? Or will those in power stand in the way of justice? As we shift between the brutality of Thebes and the psychological warfare of courtroom drama, we question what it means to be woman, the legacy of those that came before us, and ultimately... Fury A love letter to the power of womanhood. May we all find our Fury!
LIGHTHOUSE
Etcetera Theatre
Friends. Comrades. Enemies... Caillte Lighthouse. The coast of Angus, North Sea, just after WW1. Follow Mac and Morgan, two experienced keepers and their training of James, before things occur that question their loyalty, friendship and ultimately, their sanity. LIGHTHOUSE is a gripping piece that delves into the human psyche of trust, paranoia and greed with stylish, well-placed humour, jeopardy, suspense and a stellar cast. Listed by The Herald as one of the Top 20 Must-See Shows of EdFringe 2022, LIGHTHOUSE will take you on a 55 minute journey to hell and back like no other. ‘Rock solid performances and a great sense of atmosphere go a long way to illuminate this new murder mystery thriller. Boasting simple effects which add greatly to the dread-filled atmosphere’ ★★★★ The Scotsman
The Daughter
Rosemary Branch Theatre
This play is a complete story of two people negotiating their lives and their lot, and doing so with all the love and confusion that laces life.
PERDITA
SHAKEFEST @Old Red Lion
“A married woman with possession of no fortune must be in want of a life... ” Mary Darby Robinson, or “Perdita” as she was infamously known. A wicked, headstrong and thoroughly scandalous true story of a superstar of Georgian Theatre and Regency gossip. After spending time in prison, she rose as a darling of the Shakespearean stage under David Garrick’s mentorship - but her affairs and unashamed sexuality caused more than a murmur and she became the target for ridicule, shame and banishment. Refusing to dull her stardom, she became one of Englands most prominent poets and political ghostwriters, publishing a “letter to the Woman of England” a searing manifesto reminding women they are “the Equal Associates of Men” This incredible but forgotten true story explores a wild side to Regency history and the dark, dangerous and glorious reality of living as a woman.
Love You to Amsemsam and Back
Upstairs at the Gatehouse
Love You to Amsemsam and Back is an intimate story about a father and daughter, told through memory, distance, and the strange geography of love. “Love you to Amsemsam and back,” Solene said to her father when she was three. At that age, Amsemsam was the furthest place imaginable. The phrase stayed with them for the rest of their lives. As Solene grows older, Amsemsam changes from being the furthest place in the universe into a distance between remembering and forgetting. And yet, love remains. Even when you cannot see or hear it, it asks for patience, because it may simply be on its way back from Amsemsam. Drawing from her relationship with her father, writer and performer invites you on a journey through love as it attempts to overcome memory loss.
Deliver Us From Evil
Bridewell Theatre
"Can a person be born evil? Was my mother? Am I doomed to her fate?" Elizabeth Clarke has been scorned and feared by her neighbours ever since her mother was executed as a witch. When unexplainable misfortune strikes Manningtree, Elizabeth is herself accused and arrested for witchcraft. Matthew Hopkins is a young man who has yet to escape the shadow of his deceased minister father. Suspecting Satan may walk the Essex countryside, and seeing this as a chance to prove himself, Hopkins volunteers to interrogate the witch. The events that follow that fateful night would lead to the executions of as many as 100 innocent people.
Almost Instinct Almost True
Camden Collective: Auction Rooms
Inspired by the real-life relationship between poet Philip Larkin and Monica Jones, this acclaimed drama follows Monica and adoring student Tommy whose unlikely friendship exposes the cost of loving someone completely. Wry, intimate and emotionally charged, Almost Instinct Almost True explores obsession, power, loneliness and the uncomfortable truth that our heroes are rarely who we want them to be.
The Lads Play
Hen & Chickens Theatre
Four childhood friends reunite for a funeral. On the surface, they’ve grown up—navigating careers, families, and adult responsibilities. But back together in the room, old hierarchies and dangerous power dynamics instantly resurface. As the evening unfolds, Jake begins to question a long-buried secret: was one of his closest friends involved in the sexual assault of a classmate years ago? What follows is an unflinching confrontation of trust, memory, and accountability. Blending sharp tension with deep vulnerability, The Lads interrogates toxic masculinity, the bonds of male friendship, and the devastating cost of silence. It is a powerful call for truth, allyship, and the urgency of standing up for women’s safety.
This Bloody Wedding
Camden People's Theatre
This Bloody Wedding An immersive comedy by TIA Theatre Company You are invited to the wedding of the beautiful, gorgeous, and absolutely wonderful Camila... and Antonio. A magical celebration that will certainly remind you why you’re better off single. Dare to step inside and find out what secrets these seven characters are hiding. Choose wisely which guest to follow during this celebration. Will you save the wedding... or cause more chaos? This Bloody Wedding is an immersive comedy by TIA Theatre Company. Inspired by Telenovela style, This Bloody Wedding brings to life the dream of crashing a wedding and living the drama as your own. No two performances are the same. Each night offers a different perspective by a different character and timeline. Revealing new layers of the story with every visit. Expect love, notice the lies, and make sure you count the heads! After all, this is not just a wedding... It´s a Telenovela. Do you think you’re ready for This Bloody Wedding? I hope so, because they´re not.
Birth Stories
The Courtyard Theatre
These are the words of those who have created life. Based on real experiences from real parents, brought to life again and performed as dramatic monologues. We have been trusted with some of the most precious stories from the older and younger generations, the LGBTQ community, different cultures, fathers and women from all backgrounds. Heartwarming, powerful, touching and with uplifting humour these stories with take you on a journey as we explore the poignant voyage from conception to birth through the many facets of life.
Stacey
The Courtyard Theatre
Stacey Greenwood dreams of swapping the Essex Dance Championships, for the glitterball glamour of Strictly Come Dancing. Hot, skint, and wildly ambitious, she knows fame is only one pas de bourrée away. But first she must survive, cursed auditions, dead end jobs, a dodgy agent, and a “bestie” who steals both her choreography and her trophy. Snake behaviour. Armed with killer moves, cabaret gigs, and levels of confidence that should probably be studied, Stacey is determined to escape the Jobcentre and cha-cha her way to the top, no matter who she has to outdance, outshine, or unfollow on the way there.
Sister Brandy Bex: Progress In Work
Camden Comedy Club
Ever wondered what NHS nursing’s really like? Join Sister Brandy Bex on a riotous journey through NHS madness. From dating doctors to dodging disaster, she’s turning it all into comedy gold. Outrageous stories, parody songs, and shameless camp spectacle—nursing’s never been this wild! "Brandy has the best legs in the business, and she's funny as hell!" Mr Gonzales (Bed 8) "Pamela Anderson meets Pam Ayres... a filthy romp through the delights and dangers of life as an NHS ward nurse. Covered in fluids, and only slightly unhealthily obsessed with your faeces, Brandy Bex is a real NHS hero, a siren with a sample pot and a most charismatic host for your time on ward one." ★★★★ Reviews Hub
The Perils of Youth Play
Barons Court Theatre
"Mother. There is someone at the door. We have a visitor, mother, at this hour..." An ancient house. An unseen apparition. A wicked old crone and her pompous, disgraced son. And a family argument that lasts at least a thousand years. But who should make the first move? A haunting dream riff on families, envy, love and hate, mothers and sons, and the pain it takes to perform a single gesture of love, the Perils of Youth portrays the eternal struggles that reside within the family and the collective unconscious. And the terror of being alive. Written in sculpted, rhythmic language, this satire of the class system and the masculine artist archetype is a play for those who love the English language and the power of words to captivate, ensnare and attack. Blackly funny, menacing and unforgettable new writing.
Train to Cleveland with John Ruskin
Circle and Star Theatre
A burnt-out PhD student boards a train in 1997 and finds an unexpected travelling companion seated opposite: the Victorian art critic John Ruskin. What begins as a surprise encounter unfolds across a series of exchanges about art, work, doubt, and the expectations we inherit and impose. The journey becomes a face-to-face with failure, white-knuckling a plan, and learning to ask for help in the days before a dissertation defense that will change everything. An intimate two-person play with music about ambition, inheritance, and the unbearable need to choose a different path.
Who Cares!
John Lyon's Theatre, City Lit
Dennis Marshall likes things exactly how they are: his crosswords neatly stacked, his plants perfectly kept and everyone around him kept firmly at a distance. Recovering from hip surgery and residing in a retirement village , the place feels more like a prison than a paradise. As a sharp-witted older gay man, he feels little patience for outside interference. Choosing a closeted existence over standing up for his rights. That is until outspoken carer Jay J Samuels crashes into his world. What begins as a battle of wills quickly becomes an unexpected friendship. Jay J’s warmth, humour, and refusal to be intimidated slowly draws Dennis out from behind years of grief and secrecy. Meanwhile Dennis’s neighbour Terry hovers nearby—part busybody part, confidant—offering comic relief, unsolicited advice, and occasionally uncomfortable ‘truths.’ Alongside the arrival of Jay J, Dennis begins receiving anonymous hate mail, and the fragile safety of his carefully controlled existence begins to fracture. Forced to confront prejudice from those he shares a ‘home’ with, he must decide whether to stay silent or finally fight back. Funny, moving and fiercely relevant, ‘Who Cares!’ is a powerful new drama about ageing, identity, friendship, and courage it takes to remain true to oneself. Blending biting humour with emotional honesty, Keith Orton’s compelling play shines a spotlight on lives and voices too often overlooked. A story about care in every sense of the word. Directed by Richard Cavanagh
Twins – A Split Bill
Aces and Eights
This is a Stand up Comedy split bill with a twist, it is performed by Chris and Matthew Ali who are twins. We are spitting images of each other with one twin who is straight and one who is gay. We both started stand up comedy at the same time 4 years ago and have been honing our craft independently for that time and are now coming together to bring one show. We will be doing a set each of our own stand up material and a section where we will be doing a double act and interacting with the audience. It's a unique show brought by two people who look the same.
Jack In The Box
Lion & Unicorn Theatre
Is it fair to stop living for something that's dying? Sixteen months ago, the doctor said six. Jack is still here. Changing diapers. Counting pills. Watching the person who raised them disappear one night at a time, one bell at a time, while their own life waits somewhere outside the door. Jack In The Box is a psychologically driven solo performance about the cost of staying. About love that has curdled into routine. About grief with no name because the person is still breathing. About someone holding everything together so tightly they can no longer feel their own hands. Brutal. Tender. Uncomfortably funny. Written & Performed by Rudra Bhawadwaj Directed by Nance Turner AThespian Theatre Company
Londongrad
The Courtyard Theatre
Keira Palmer is the most hated prime minister in British history. In a desperate bid to save her career, she summons her “trusted” team: ex-best friend home secretary Aisha, cunning chief of staff Leela, and her liability of a foreign secretary Will. The semi-casual COBRA instantly spirals when Will’s best friend (Vladimir Putin) launches a blackmail scheme delivered in emojis. He threatens to leak the scandalous details of his 43rd birthday bash - or sell London to Putin. The situation worsens when the tech billionaire jump into the fray, demanding London is sold to their companies instead. Loyalties vanish quicker than Prince Andrew’s sweat glands as vying spheres of influences are crudely exerted on morally bankrupt puppet politicians - the custodians of London’s future.
Oh Pseudolus!
The Cockpit
This is a modern retelling of the classic Roman Comedy “Pseudolus” by Plautus. In our version, we find the titular Pseudolus working at the world’s largest Halloumi company, in modern-day Athens. She is an executive assistant for the CEO’s son, Calidorous. Calidorous has finally gotten himself the girl of his dreams, the beautiful Phoenecium. Still, disaster strikes when the vile pimp Ballio tries to sell her into sex slavery, attempting to ship her off to some unnamed oil-rich country. Calidorous is too heartbroken to sign Pseudolus’ end-of-year bonus check. It becomes up to her to figure out a way to rescue Phoenecium in order to make him smile. That way, he can finally sign her hard-earned check. Talk about late-stage capitalism! This is a laugh-out-loud comedy, full of hijinks, tricks, love, lies, and schemes; not to mention a slice of Halloumi or two along the way. It’s just as much of a hilarious romp as it was two thousand years ago! This is “Oh No’s” way of saying: Leave the kids at home, and no, you don’t need to come wearing a toga.
Nuovo Orizzonte
Theatro Technis
Nuovo Orizzonte: A Theatrical Journey Across the Water A solo performance blending monologue, live video, projections, and song Performed in Italian with English subtitles 6 August 1926: Trudy Ederle becomes the first woman to cross the English Channel, breaking all records and defying a society that had denied women the right to swim. Her story is inextricably linked to the fight for women's rights — and one hundred years later, it comes to the stage. Nuovo Orizzonte (New Horizon), written and performed by Alessandra Donati, weaves together spoken word, live video and archival footage curated by Leonardo Battaglia, and original music by Edoardo Bacchelli — a performance as unstoppable as the woman it celebrates. Winner of Best Performance at the RTB Festival Acrobatiche Teatrali (Catania) and of the "In Scena con lo Sport" award at the Milano Fringe Festival, assigned by the Milano Cortina 2025 Winter Olympics Committee. Teatro Technis, London — 5 & 6 August 2026, 9 PM Camden Fringe Nuovo Orizzonte will be performed exactly one hundred years to the day since Trudy Ederle first reached these shores.
NipSlip Do… Men In Power
Hen & Chickens Theatre
NipSlip Productions present MEN IN POWER. This sexy duo (Dulcie Godfrey and Tallula White) explore MEN. POWER. FACIAL HAIR. SEX... (if you’re lucky) live on stage or your money back, through a series of sketches, interpretive dance and a secret third thing. From the peaks of Mount Everest, to the depths of Dalston Superstore (why are they in there?) MEN seem to run the world... why? What is it that they have that NipSlip don’t? What is a MAN if not the same composition of nipples, leg hair and bush? The sexy duo that bring you monthly variety show NipSlip&Friends are here to find out. NipSlip Productions are the creators of NipSlip&Friends, a monthly alt-comedy variety night showcasing London's up-and-coming comedians. They have produced and hosted a series of sold out shows over 2 years, as well as short films and plays. This is their first full-length sketch show as a duo.
Together in the End
Rosemary Branch Theatre
Where does love go when the world explodes? When a holiday is interrupted by an existential global threat, Adam and Viv are forced to confront the questions they’ve spent years avoiding. With the future suddenly uncertain, old arguments resurface, private fears slip out, and the stories they’ve told themselves about love begin to unravel. Together in the End is an intimate, emotionally charged two-hander about what survives when distraction disappears. By turns sharp, funny and devastating, Niall McCarthy’s new play explores love under pressure, the weight of history, and the human need to find meaning when the world feels like it’s falling apart. Staged up close and stripped back, this is urgent new writing that asks: if everything ended tomorrow, who would you choose to face it with?
Friends Help You Move
Etcetera Theatre
...real friends help you move a body. An award winning black comedy about two inept Irish criminals who have dreams of pulling off a heist far beyond their minimal abilities. They plan to enlist the help of a local crime boss with a fearsome reputation for violence. What could possibly go wrong? Well, more or less everything. Ambition, folly, violence, murder, revenge and... redemption? Friends Help You Move is a dark comedy thriller in one act written by John Ward.
Dinner with the Sl*ts
Camden Comedy Club
You are cordially invited to attend a romantic *dinner with your favorite sl*ts. A Dinner with the Sl*ts brings together two of the UK comedy circuit's tastiest talents, Laura Moss and Amelia Fritz. Join the irresistible duo for a delectable hour of stand up comedy and £7 worth of advice. The show is a whimsical blend of religious upbringings, eccentric families, and bizarre dating dynamics, with a focus on celebrating ‘sl*ts’ and everything they encompass. The show also has an interactive element where you can submit your dilemmas, and let the sl*ts give you their best, naughtiest advice! Wear something slutty, and bring a mate, date, or your exes dad. See u there! The sl*ts xoxox *(Dinner not included, because of well, the economy)
Caroline McEvoy: RAGIN’ (WORK IN PROGRESS)
The Libra Theatre Cafe
RAGIN’ is the latest work-in-progress show from Northern Irish comedian and chronically nice person Caroline McEvoy. Following ‘an impressive debut’ (The Scotsman), Caroline is turning her attention inward. Why is she so angry all the time? And why can’t anyone tell? Themes include: female rage, Protestant repression, Chess.com, and wedding planning. You’d be ragin’ to miss it. Her debut comedy hour Train Man received critical acclaim at Edinburgh Fringe in 2025 and was later listed in the Irish Times top shows to see at Dublin Fringe. Praise for Caroline at Edinburgh Fringe 2025: ★★★★½ ‘incredibly joyful and delightful ... If this is the debut, I am excited to see what the future holds for the rest of her shows’ (The Phoenix Remix) ★★★★ ‘thoughtful and funny’ (A Young(ish) Perspective) ★★★★ ‘a brilliant stand-up show paying tribute to her brother’ (Broadway World) ★★★★ ‘she is a fantastic storyteller’ (Entertainment Now) ★★★★ ‘an impressive solo performance’ (Life Is A Festival)
The Vampire Run
Aces and Eights
A dark and stormy night. A vampire’s castle outlined by lightning. An hour to find and kill the dreaded fiend... And one idiot trying to manage the escalating chaos. Join a fast-paced, hilariously deadly choose-your-own adventure! Three players at a time must decide how to approach a variety of fiendish obstacles to reach the vampire’s chamber, BUT one of the players is evil and the audience must decide who before it’s too late. This is the debut solo show from award winning writer and performer Jonathan Laury (Best Comedy, Unrestricted View Film Festival 2019). Think something like Knightmare meets Traitors, hosted by the lovechild of Vincent Price and Alex Horne... Shortlisted for the Glitch award at the Lambeth Fringe, and described by audiences as 'Brilliant, slick, funny, 10/10 would go again' and 'My favourite theatrical experience of 2025.' It’s a comedy, it’s a horror, it’s a game, it’s a show! And it’s definitely the most fun you can have dying horribly.
7-7-7
Barons Court Theatre
Who is responsible for the evil in this world? You didn’t choose your family, upbringing or culture. No one had a choice. Not even Hitler. Well, then who is to blame? The universe has played a sick joke on us. If you hear the call, come join me for this psychedelic ritual as we attempt to reach the other side and summon... something. Born out of an accidental exorcism during a shamanic ceremony, 7-7-7 is a one-man ritual-performance that confronts the illusion of free will and our relationship with a Higher Power. It asks what drives people to commit acts of unspeakable evil and if we even have any choice in who we are and what we do. Part confessional story-telling, part seance, this dark comedy blends philosophical inquiry, theological absurdism and the theatricality of ritual.