Stressful Emergency Situation
Etcetera Theatre
Floor 87, Office A (disused). Friday. 4:58pm. 5 coworkers. Well, 4 work friends reluctantly following the lead of fire marshal Angie Spratt (authority in title only). It's Angie's world and we're all living in it, and that world is coming to an end (no, really, she says the world is ending). Who can be trusted and what can be lost? And why has Angie packed pyjamas? An absurdist dark comedy, this show is for any office employee who gets a bit of a weird vibe from their coworkers. Maybe you know a sandwich thief, maybe that one person always hogs the good desk, or maybe Rachel from HR is a doomsday predictionist . And if you don't work in an office this show is sure to have you updating your CV immediately to get in on that irresistible workplace drama.
PERICLES (kind of)
SHAKEFEST @Old Red Lion
PERICLES (kind of) is a rapid un-telling? re-telling? mis-telling? of Shakespeare’s stormy story. Traditionally, Pericles follows a wandering prince who flees an incestuous king. Survives storms and shipwrecks. Escapes assassins. Wins deadly jousts! Falls in and out of love several times. Endures another storm. Is bested by Pirates. All ending in a brothel? A tale of true virtue! Through centuries of adaptations this story has changed surprisingly little... for Pericles. In this new telling however, Pericles has his work cut out for him keeping the story on track when other characters decide to see how far they can push a musical adaptation. Part Operation Mincemeat, part The Play That Goes Wrong, part The Princess Bride, PERICLES (kind of) is a musical that entertains, delights & ultimately leaves the audience wondering: is that really how the story goes?
In Winter We Celebrate Spring
Etcetera Theatre
Fiona has lived in Britain for over a decade. She knows how to navigate racism, bad weather, and overpriced rent. What she doesn't know is how to throw a Chinese New Year that actually feels like one. When 15-year-old Kailin arrives for the half terms—her first Chinese New Year away from China—Fiona is determined to get it right. The dumplings. The red envelopes. The whole performance of home. But somewhere between the hotel that looks nothing like its photos and a London that no longer feels like hers, something starts to slip. First her composure. Then her pride. Then, piece by piece, her face. In Winter We Celebrate Spring is a domestic horror laced with dark comedy—a Shirley Jackson-esque story about the quiet violence of trying to belong. No ghosts. No slashers. Just the weight of all the days you forgot to grieve, pressing down until something breaks. For anyone who has ever tried to recreate a home that no longer exists.
The Wall
The Libra Theatre Cafe
Marriage is a wall built in silence. Ethan is trapped in a ten-year marriage and escapes into an affair with Wendy, a florist, finding warmth and meaning outside his empty home. He lives between two worlds, inside and outside marriage. His wife, Zoe, already knows. She doesn’t confront him immediately, but quietly lives with the pain and decay of betrayal. When she finally speaks, it becomes a calm but cutting three-way confrontation. Zoe exposes the lies, dismantles the illusion of love, and forces everything into the open, revealing Ethan’s selfishness and breaking Wendy’s belief in their relationship. In the end, love collapses and truth is exposed. Marriage becomes a shared trap: break it and everything shatters; keep it and nothing changes.
Eoghan and Paul
Rosemary Branch Theatre
What happens when it’s all said and done, and we’ve gone down our separate paths? One locked door separates a pair of twins. It can only be opened if both are willing to face one another. Will they make the brave sacrifice? Or will they continue the cycle. Eoghan & Paul explores fractured family relationships, addiction and the cost of emotional avoidance. It’s an intimate, confrontational, and emotional experience steeped in stasis and unresolved conflict.
Belated
Etcetera Theatre
Save the date! It’s Anna’s 50th birthday, and it’s going to be grand. Only problem is... it’s a year late. A former professional dancer turned Pilates instructor to the rich and famous, Anna is worn out—from life, motherhood, and a painful breakup. So she decides to give herself the 50th birthday party she deserves—two days before she turns 51. But this is more than a party. It’s her chance to reclaim love, connection—and finally stage the one-woman show she’s always dreamed of. Belated is about big dreams and quiet disappointments. About the moments we begin again—whether by choice or by force. It’s about the gap between the lives we imagined and the ones we’re actually living. Funny, raw and painfully human, Belated is a celebration of showing up for yourself exactly when it matters most. And you’re invited. Lola Fishbein: Writer & Performer Mira Awad: Co- writer & Director Roi Erez: Original music & Pianist
Something About England
The Libra Theatre Cafe
3:47am. 24 June 2016. The UK has just voted to leave the European Union. His daughter texts: ‘I never want to speak to you again’ Ten years after Brexit, left wing socialist punk rock troubadour Johnny Commune is back for one last show. Performing spoken-word versions of the songs that shaped him — The Clash, The Jam, X Ray Spex — he tries to come to terms with voting Leave, and how the impact of that decision nearly destroyed his life. After a decade spent reckoning with the fallout of his Lexiteer past: culture wars, casual racism, the slow unravelling of the England he thought he understood - it's now time to make it right. And then he has a discovery that changes everything. Something About England is a fierce, funny and personal solo show about shame, identity, hope and the search for something called the truth. Steve North is an actor and musician who lives in London. He performed in the Fringe First winning play Meeting Joe Strummer and was in the NT Live Broadcast of War Horse. His last solo show, an adaptation of Nick Hornby’s Fever Pitch had a 3 month run in the West End.
Forgive me. I’ve sinned.
Hen & Chickens Theatre
A young woman returns to confession—but she isn’t ready to tell the truth. As Alex begins to question her faith and come to terms with her identity, her lifelong friendship with Mary is pushed to its limits. Set between a church, a living room, and late-night conversations in the park, “Forgive me. I’ve Sinned.” explores belief, sexuality, and what happens when growing up means growing apart.
Ben Van der Velde: Van der Laugh Generator
Aces and Eights
One of the best improvisers on the stand-up circuit grapples with the overwhelming chaos of the world. Sometimes there's just too much stuff to process. Join Ben as he does the comedy equivalent of reading an encyclopedia cover to cover and squeezes the comedy juice out of everything under the sun, from genetics to tattoos, XL bullies to board games and beyond. It'll be a bit like watching Wikipedia having a nervous breakdown. For fans of Ross Noble, Jason Byrne and heroic nonsense. "Displays a crackling, spontaneous energy in which we're swept up." (Fest) "An accomplished comic." (Time Out) "Perfect... the audience were hysterical." (Huffington Post)
Getting to Iona
Union Chapel - Upper Hall Bar
A real, imaginary, extraordinary journey about faith, family, memory, magic, and the stories we tell. In 563 AD, St Columba left Ireland and sailed to the island of Iona, founding a monastery and a legacy which have stood since for centuries. In 1963, John Barry of Hillsborough and his twelve fellow pilgrims set off on that same voyage, recording his experiences in a book he called 'Joyful Pilgrimage'. In 2026, Tom Barry, an actor and writer from North London, recreates these journeys for the first time on the London stage. His own voyage of discovery asks why we leave home for the unknown - what we seek, find, and leave behind. An epic tale told and retold, in the wild imagination and beyond, across oceans of time, within moments of wonder. 'Getting to Iona' was first performed in 2024 in partnership with St Columba's Church, Pont St, London - then at St. Columba's Church, York - at St. Columba's-by-the-Castle, Edinburgh - and most recently at St. Colmcille's Church, Belfast, as part of the 4 Corners Festival. Their support has been invaluable in the project's development, and they deserve special thanks. This production is the show's theatrical debut.
PERICLES (kind of)
SHAKEFEST @Old Red Lion
PERICLES (kind of) is a rapid un-telling? re-telling? mis-telling? of Shakespeare’s stormy story. Traditionally, Pericles follows a wandering prince who flees an incestuous king. Survives storms and shipwrecks. Escapes assassins. Wins deadly jousts! Falls in and out of love several times. Endures another storm. Is bested by Pirates. All ending in a brothel? A tale of true virtue! Through centuries of adaptations this story has changed surprisingly little... for Pericles. In this new telling however, Pericles has his work cut out for him keeping the story on track when other characters decide to see how far they can push a musical adaptation. Part Operation Mincemeat, part The Play That Goes Wrong, part The Princess Bride, PERICLES (kind of) is a musical that entertains, delights & ultimately leaves the audience wondering: is that really how the story goes?
Quickening
Lion & Unicorn Theatre
Quickening is the narrative of three abortions - Lina and Josey find themselves in the same ward in 1972, a few years after the legalisation of abortion in the UK. In 2011, Lina’s daughter Darla faces a similar situation to her mother, putting a strain on their relationship and causing Lina to recall the emotional and social consequences of the abortion she had years before, as she struggles to adapt to Darla’s contemporary politics. Quickening is an incendiary piece of new theatre that interrogates one of society's most emotional debates, spanning decades to show the generational effects of social and individual change.
Motopia
The Cockpit
"Once upon a time, there was a forest, where the sun and the wind and the people ran through the trees with free abandon. Welcome to Motopia!" A new piece of writing, 'Motopia' is a musical choose-your-own adventure play where the choices of the protagonist are placed in the audience’s hands as they navigate their way through The Forest. Imagine the Fighting Fantasy books come to life, or as one audience member put it, “D&D the Musical.” Join Pip as they navigate increasingly complex choices, and the excitement, loss and responsibility that free-will (or lack thereof) brings, leading them to question "What do you do when you don't know what to do?" The world of Motopia is explored through a fairytale lens of childlike wonder, with a cast of five actor-musicians, original music and eccentric characters threaded throughout.
ECHOES
Etcetera Theatre
Echo: Spoke too much and was forever cursed to echo what others say. Philomela: Tongue severed and could not tell what had been done to her. Cassandra: A prophetess that no one would believe. Arachne: Said the wrong thing in the face of the gods. Helen: Bound to Troy and never allowed to tell her own story. ECHOES is a one-woman-show about the silencing and loss of the female voice. Using stories from classical mythology, the play weaves between modern and ancient narratives, as an actress confronts her ironic fear of her own voice, and tries to find out how she can reclaim not only her own voice, but also those of the women whose voices have been suppressed and distorted for centuries by male dominated scholarship. The show is a comical and confrontational depiction of women's struggles throughout the ages and shows how the female experience echoes through time.
An Artists Disguise
Rosemary Branch Theatre
Just because you are quiet doesn’t mean you don't have a voice. ‘An Artists Disguise’, a two person play exploring the fear of being lost in the crowed. A representation of how we hope to be remembered, presented through comedy, physical theatre and the connections that keep us grounded.
Milkshakes Milkshakes Milkshakes
The Courtyard Theatre
Three idiots open a milkshake stand with a revolutionary idea: human-flavoured milkshakes. It’s bold. It’s original. It’s a terrible plan. Try one—they’re bloody delicious. From interrogating a robber about his career choices, to being chased by vultures desperate for a sip, to sourcing ingredients in ways that raise serious ethical questions, their business spirals through one ridiculous situation after another. With surreal, sketch-show logic, mime, and high-energy physical comedy, nothing behaves as it should. This is a fast, chaotic ride through the rise and fall of a very bad idea. You laugh at them. You laugh with them. Mostly, you wonder how they’re still open. Created and performed by Paul Kelvin, Elsa Mills, and Gabriel Parker-Ellwood, this marks their debut as a company.
One Man’s Land
Hen & Chickens Theatre
They say love thy neighbour, but what happens if they're a raging b*tch? Audiences are invited to find out in ‘One Man’s Land’, a darkly comic original one woman show by Josie Rose Embleton, where the violent worlds of war, politics, and conflict collide with the peace and serenity of the English countryside. Problem is, it’s hard to maintain peace when your house sits on an old historic battlefield where the skeletons of war seem to be raising from the dead. Next thing you know, bibles are being thrown through windows, cats and dogs are literally fighting like cats and dogs, but that’s nothing compared to their neighbouring owners. You might be wondering how this all began? Well, it was truly over just a little patch of grass in the garden. I guess people really are that petty. Director: Esther Fernández Guerra Assistant Director/ Sound Designer: Tara Jamora Oppen
Caitlin Powell: We’ll See About That! (work in progress)
Camden Comedy Club
This year, Caitlin Powell finished a PhD on fascism (yikes) and promptly crashed out – a reasonable response given *it all*. We’ll See About That! is for anyone who wants to fix the world but can’t even get a hold of their landlord. It’s about meal deals, moon cups, and the nagging feeling that constantly bracing for disaster is getting in the way of being a cool fun time. This is a show for the girls, gays, theys (and anyone with the pattern recognition of a bloodhound). Caitlin Powell is a ‘brilliant’ (Jen Brister) and ‘delightfully self-effacing’ (Chortle) rising star on the circuit. They have been a finalist in the Funny Women Awards, Chortle Student Comedy Awards, and LGBTQ+ New Comedian of the Year, and a two-time nominee for the BBC New Comedy Awards. Their podcast Queers Gone By has been described as ‘utterly hilarious’ (The Guardian), ‘laugh-out-loud’ (GQ) and ‘idiotic’ (Men’s Health).
‘this is a public square’
Chisenhale Dance Space
‘what’s is my body?’ ‘what is my body’ ‘isn’t my body.’ ‘this is a public square’ is a clown performance that situates the (trans) body as wayward material among the built landscape. The performance works with found text, participation, and material collaboration to collapse language of identity and community to practice alternative modes of worlding. CAMDEN BARRETT (they/them) is a theatre and performance practitioner based in London, UK. Their work and facilitation practice troubles hostile design frameworks of gender and architecture through anarchic methods of clowning and collaborative play. Most recently, they collaborated with multi-disciplinary designer Angela Rauf on ONLY EXIT at SIDE STEP FESTIVAL and VOIDSPACE (2025), a speculative, interactive performance project which sought to unmake conventions of wayfinding. From Salt Lake City, Utah, Camden is the co-founder of KID SISTER THEATRE COLLABORATIVE with director Niko Krieger. Camden has recently completed their postgraduate study on the MFA Advanced Theatre Practice course at the Royal Central School of Speech and Drama (’26) and are a graduate of the BFA Actor Training Program at the University of Utah (‘24).
Fools Were Meant To Sing
Bridewell Theatre
In the middle of a show, musical duo Rob & Lou are suddenly handed a chilling written message: "Stop the show or we will kill you." Featuring original songs and set against the gritty backdrop of late-80s/early-90s Los Angeles, the action follows the personal relationship between Robbie, Latino from LA, and Louis from the rural American midwest. Alongside Robbie’s resiliently kind-hearted sister Luna and sardonic cousin Felipe, the audience sees them through early songwriting sessions, tragic loss and big breaks all culminating into one moment where they must ask themselves: Should we play the next song? Where does the line exist between outsiders and community? How significant is the difference between naivety and deserved guilt? "Fools" asks these questions and more as secrets between Robbie and Louis come to light and the origins of the death threat are realized.
Trial by AI: Live
Barons Court Theatre
The world's first live AI trial is here. And you're the jury. Three suspects. One AI system. You decide their fate. Trial by AI: Live is a visceral, interactive theatre experience that pulls you inside a live broadcast where justice has been repackaged as entertainment. Sharp satire, psychological tension and something that feels uncomfortably close to home. Immediate. Interactive. Strangely familiar.
Thorneland
Upstairs at the Gatehouse
'It's all simpler' In Northallerton, Yorkshire, siblings Saf and Luke, work on their family-owned farm with close friend, Jasmine. When Saf and Luke's brother, Nick, returns to the farm 4 years after the death of the sibling's younger brother, he finds that his role in the family has been filled by Jasmine, who has dealt with similar experiences in her own family, eventually leading her to Thorne Farm. Together, the four of them try to find the right words to empathise with each other's quiet devastation. This is a distinctly Northern English play that explores how we mediate and reconcile through grief, and whether said grief can give space for forgiveness and understanding, all told through backdrops of folk music, custard creams, and a joint or two. Told over the space of a week, will they be able to confront their distress after years of suppression? Or will Nick run away again, leaving his family with only the reminder of what they lost years ago?
Mega Church Xmas Play
The Libra Theatre Cafe
From Drag to Deuteronomy, this show has everything! Mega Church Xmas Play is a surreal, absurd, irreverent farce exploring the competitive side of the entertainment industry, organised religion and man buns. Devoted followers of Mega Church "Skylife" are preparing their annual Xmas play, but will ruthless ambition, ego and jealousy consume them? GOD wants this year's Xmas show to be the BIGGEST and BEST in the WORLD, putting senior pastor Cole Crampson under immense pressure. The hard working church members are competing for the lead roles, but will talented newcomers from rival Mega Church "EarthHeaven" take their place? Who will be crucified before curtain call?
Momma’s Got a Brand New Toy Kitchen
Aces and Eights
She's peopled her last please, now she's figuring out hey ‘why can’t she be desired’? Why can’t she be naughty? Why can’t she be made out of HDPE plastic? Her exterior’s hard plastic but inside she's stagnant air from 1991. Bex can’t hide behind a toy kitchen mask anymore... she's 5ft8. A fragile woman made entity! Whose masquerading as someone whose normal. But not really. Instead of sharp edges Bex has soft curves, a sturdy base and a small rack. Who is she but a toy kitchen? Join whimsical and (sometimes scary) comedian Bex Turner for a (mostly) stand-up show of weird tales, Autism and lots of crude Crudités! Bex Turner is a high energy, eccentric, surreal, stand up/character comic. Her likeability combined with her comedic sense of adventure makes audiences love her. She was a 2018 Quarter Finalist at Leicester Square New Comedian of the Year and a 2015 Semi Finalist for Laughing Horse New Act of the Year.
A Party for my Uncle Brian
Union Chapel - Upper Hall Bar
Joe is attempting to throw the best birthday party anyone has ever had for his illusive Uncle Brian (his best friend in the entire world) and you are all invited! He’s bought a cake, a jug of pre-mixed squash and he’s even hired Barry Manilow! All that’s left to do now is to wait for the birthday boy to arrive... A Party for my Uncle Brian is a comedic exploration into the extremities of loneliness and the extent to which someone will go for attention, validation and companionship. For fans of absurdist theatre, watered down squash and copyright-free Barry Manilow songs. Are you wearing your party hat? Why exactly are you here? Where is Uncle Brian? “Powerful and masterful storytelling (... ) one of the highlights in this years Fringe Theatrefest lineup” (Jo Fisher, Fringe Theatrefest Reviews) MilkTongue is George Bennett, Frances Jennings and Fionn Wagstaff. Having come together from previous work with jarfrog (A Party for my Uncle Brian, BEGIN, Messenger) and from performing across Europe, this is their newest project.
Super Dropper
SHAKEFEST @Old Red Lion
Super Dropper is a one-woman comedy show inspired by juggling. Irreverent, cheeky and flirtatious, Super Dropper is passionate about juggling! Thanks to her juggling props, she expresses her weirdest philosophical thoughts and fantasies without filters. She sees the world falling apart and she really wants to fix it! Her plan? Spreading the juggling love to save the world. The sky is her limit! Super Dropper mixes comedy and circus. Halfway between autobiography and fiction, Super Dropper explores with a French touch the themes of failure, introspection and politics. Expect puns, wit and speaking balls!
BEIGE
Lion & Unicorn Theatre
When everyone wants a version of you, who gets the real one? BEIGE is a darkly funny and unsettling theatre piece about identity, belonging, and the quiet violence of being branded. A woman is coached, corrected and softened until she starts to doubt her own instincts, her own body, her own voice. Raw, physical and intimate, BEIGE moves between comedy and discomfort, asking what it costs to be “palatable” and what happens the moment you stop trying. Created by Swiss-Congolese actress and theatre-maker Jessica Nlabu
Dinner with the Sl*ts
Camden Comedy Club
You are cordially invited to attend a romantic *dinner with your favorite sl*ts. A Dinner with the Sl*ts brings together two of the UK comedy circuit's tastiest talents, Laura Moss and Amelia Fritz. Join the irresistible duo for a delectable hour of stand up comedy and £7 worth of advice. The show is a whimsical blend of religious upbringings, eccentric families, and bizarre dating dynamics, with a focus on celebrating ‘sl*ts’ and everything they encompass. The show also has an interactive element where you can submit your dilemmas, and let the sl*ts give you their best, naughtiest advice! Wear something slutty, and bring a mate, date, or your exes dad. See u there! The sl*ts xoxox *(Dinner not included, because of well, the economy)
WIP: Serenade for the Unfortunate
Rosemary Branch Theatre
Two women fleeing their homes meet one rotten pirate crew. What could possibly go wrong? Genevieve and Orella are running for the same horizon, one fleeing a home filled with unspeakable darkness, the other racing towards a promise made long ago. Emboldened by the ballad of a legendary pirate queen, they venture into unfamiliar waters. But while trying to survive life on board, they’ll soon learn more horrors are lurking below. What will they have to sacrifice for their freedom? Written by Leoni Amandin & Madeline Pell
Terry’s Been Murdered!
Hen & Chickens Theatre
One mystery. Five suspects. No victim. And if you think you can guess what happens- think again... When six friends meet for a dinner party at Susan's house, nobody cares when Terry shows up. They're more interested in policeman Ray's stories- or chef Gabriel's cooking- or Nigel's new wife Maria. But when the phone rings to tell them that not only has Terry from school has been murdered, but ONE OF THEM has done it- chaos ensues. Even though Terry is in fact, in the room with them (and pretty confused by the whole thing). Suddenly people are pointing fingers and asking questions. Who saw him last? Who hated him the most? Why is nobody listening to Terry, who is definitely still alive? This mystery will spiral and unravel in ways no one expected, with more questions than answers and so many twists even the cast don't know what's going on. Will friends will betray friends? Will lies and secrets will be revealed? Will Terry still be alive at the end of the night? Probably. But anything could happen... "Knives Out" meets "The Naked Gun!" in this brand new, ridiculously silly, murder-mystery farce from Based On Originals.
‘The Well’ by Bitterroot Theatre
The Courtyard Theatre
Stranded in the heart of the desert, Buck and Duke are dying of thirst. Their only hope: a hidden well that may not even exist. In this interactive Western, the audience holds the power, voting with paddles to dictate each decision our heroes make. Be careful, the fate of the characters and the world they inhabit lies in your choices.
Sunrise for the Blind
The Cockpit
A raw, naturalistic portrayal of life in a bleak North Manchester town centre, the play explores cycles of poverty, racism, and young adulthood. It follows a group of youths and families as their lives intersect around gossip, forbidden relationships, and a tragic escalation of tensions leading to violence. The story delves into lost potential, generational frustration, and the suffocating nature of small-town life. Sunrise for the Blind pulls no punches, a familiar theme of writer, Lee Lomas, it promises to be an eye opening experience with plenty of light to balance out the shade. Trigger Warning: Please be advised that this performance contains strong language and explicit racial slurs. This production explores themes that some viewers may find distressing. Recommended for ages 16+.
The Glory Days
Etcetera Theatre
"GLORY"- praise and admiration earned by doing something impressive. Decent. A talented footballer and highflying corporate matchmaker, Camilla Cole knows exactly how to place people where they're meant to be. Climbing two ladders is quite the balancing act, but worth it when the goal is so enticing... When a work social turned pub reunion provokes a trip down memory lane, this glimpse into the past reveals holes in Cole's perception of success. Sarah Louise Hill is the actor and writer of this solo show. Pulling from first hand experience as a female athlete, Hill received scholarships to study a BA in Acting whilst playing Division 1 football at University in the States, and is a recipient of the Irene Ryan Award for 'Best Comedy Performance'. The Glory Days invites the audience to become fans in the stands, punters in the pub, and a soundboard for Cole's predicament: the search for purpose beyond winning. Through multi-roling, top notch banter, and raw honesty, we see an individual fighting for promotion against her former self. But is the sacrifice worth the glory?
LIMBS
Aces and Eights
What would you do with an extra limb? Mary’s answer comes in the form of a semi-improvised flute/comedy show, fulfilling the niche we’ve all been waiting for. Through live music, experimental sounds, and a healthy dose of nostalgia, Mary explores her relationship through time and space with all of her body parts, including her extra limb, the flute. She delves into her teenage brain by reliving old diary entries and music of time gone by. As if you need any more encouragement to see the show, here are some (very real) reviews: “I liked the bit when she spoke about me” - my mum “I implore you to watch this show” - my producer
Kari – a Modern Mythical Tale
Union Chapel - Upper Hall Bar
Three mythical stories played out in modern times: A naive boy falls in love with a forest creature from legend, a bored woman gets bewitched by a beautiful stray cat, and a depressed security guard finds an ancient lamp that grants wishes. Come and listen as Håkan Carlsson, actor and writer, brings these stories to life with humour and passion.
Wherefore Art Thou, Woman-Hater?
The Libra Theatre Cafe
Written anonymously and first staged in the Renaissance, Swetnam The Woman-Hater is where the word misogyny comes from. Star crossed lovers, swordfights and sexism in the sixteenth century, it has it all. But how could that possibly be relevant today? Come and judge for yourself... The second show brought to you by Cumbrian production company Acting Speaks Louder, creators of Disco, Baby? “Outstanding” (FringeReview). Created and produced by three up and coming artists working across music and theatre, if they don’t take the Fringe by storm, at least there will be plenty of rain when they get home!